Academic Session at AAH2016 Annual Conference and Bookfair University of Edinburgh 7 – 9 April 2016
Abstract deadline 9 November 2015
The north is an elusive and ambivalent concept with both negative and positive associations. Mythical notions of the north have existed in European culture since antiquity, fuelled at various times by archaeological discoveries and cultural revivals. Romanticism brought on a veritable ‘cult of the north’, which gained in strength throughout the 19th century, riding on the back of the nationalist wave that swept across Europe at the fin-de-siècle. Northernness is not a simple concept; while the Nordic people were associated with purity, originality and subjectivity, the Celts were regarded as creative and noble, yet feckless and irrational. Nevertheless, partly through the impact of Wagner’s operas and Macpherson’s Ossian, by the end of the 19th century, northern artists were elevated to a prominent position on the international stage. There was even a popular belief that it was now Scandinavia’s turn to lead the intellectual advance of humanity. This notion was supported by the theosophical formulation that it was time for the ‘northern race’ to take over. Continue reading